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G.DONIZETTI A-Z. Opera Arias for Soprano

C'en est donc fait...Par le rang et par l'opulence  Recitative. and Aria (Marie)	Donizetti (G.) la fille du régiment	Act II, Scene 6
Ed.H.Lemoine (1876) PD (french)
Chacun le sait, chacun le dit Couplets (Marie)	Donizetti (G.) la fille du régiment	Act I
Ed.H.Lemoine (1876) PD (french)
Della crudele isotta Cavatina (Adina)	Donizetti (G.) L'elisir d'amore	Act I Scene 1
Ed.Ricordi (1869) PD (italian)
Il dolce suono mi colpi di sua voce Aria (lucia)	Donizetti (G.) Lucia di Lamermoor	Act III Scene 1
Ed.Schirmer (1898) PD (italian/english)
Il faut partir, mes bons compagnons d'armes Romance (Marie)	Donizetti (G.): la fille du régiment	Act I Scene 4
Ed.H.Lemoine (1876) PD (french)
La morale in tutto questo  Rondò (Norina)	Donizetti (G.) Don Pasquale	Act III: Scene 5
Ed.Ricordi (1870) PD (italian)
Par le rang et par l'opulence  Aria (Marie) with recitative "C'en est donc fait..."	Donizetti (G.) la fille du régiment	Act II, Scene 6
Ed.H.Lemoine (1876) PD (french)
Prendi, per me sei libero Aria (Adina)	Donizetti (G.) L'elisir d'amore	Act II Scene 2
Ed.Ricordi (1869) PD (italian)
Quando rapito in estasi Aria (Lucia)	Donizetti (G.) Lucia di Lamermoor	Act I: Scene 2
Ed.Schirmer (1898) PD (italian/english)
Quel guardo il cavaliere...So anch'io la virtù magica Recitative and Aria (Norina)	Donizetti (G.) Don Pasquale	Act I, Scene 4
Ed.Ricordi (1870) PD (italian)
Regnava nel silenzio Aria (lucia)	Donizetti (G.) Lucia di Lamermoor	Act I Scene 2
Ed.Schirmer (1898) PD (italian/english)
Silenzio!...Dolce zeffiro il seconda	Donizetti (G.) La favorita	Act i Scene 2
Ed.Ricordi (1879) PD (italian)
So anch'io la virtù magica Aria (Norina) with Recitative "Quel guardo il cavaliere."	Donizetti (G.) Don Pasquale	Act I, Scene 4
Ed.Ricordi (1870) PD (italian)
Spargi d'amaro pianto	Donizetti (G.) Lucia di Lamermoor	Act III Scene 1
Ed.Schirmer (1898) PD (italian/english)

notes

it *:      translation in german has been erased, only the original language (italian) has been kept, together with the original arrangement of the notes 

germ.* :translation in italian has been erased, only the original language (german) has been kept, together with the original arrangement of the notes 

This editing has been adopted by www.classicalsingersheetmusic.com for the sake of clarity, thus allowing the singer to write his own translation (preferably word to word) under the notes.