Home Page :: Opera (Vocal Scores) :: Tenor Opera Arias :: Mozart (W.A.) Tenor Opera Arias

classicalsingerdownloads.com

W.A. Mozart Tenor Opera Arias, Vocal Scores

Search on www.classicalsingerdownloads.com

 

W.A.MOZART: A-Z. Opera Arias for Tenor in Authoritative Editions in the Public Domain. High Resolution Scans (600 dpi). Sheet Music for Immediate download $1.89

W.A. Mozart Tenor Opera Arias, Vocal Scores
Ah qual gelido orror!...il padre adorato (Idamante)
Mozart (W.A.): Idomeneo, K. 366
Act 1, Scene X (Recitative and Aria (F Major)
Ed. Braunschweig-Litollf PD (it.*)
 
 
Ah, se fosse intorno al trono (Tito)
Mozart (W.A): La clemenza di Tito, K. 621 
Act 1, Scene VI: Aria (D Major)
Ed.Peters (1870) PD (it.*) 
 
 
Ah! Io veggio quell'anima (Ferrando)
Mozart (W.A): Cosi fan tutte, K.588 
Act 2, Scene VI: Aria (B Flat Major)
Ed. U.E Wien /H. Levi (1904) PD (it.*)
 
 
Alles fühlt der Liebe Freuden (Monostatos)
Mozart (W.A): The magic flute, K.620
Act 2, Scene VII: Aria (key?)
Ed. U.E Wien, 245, PD (Germ;*)
 
 
Come ma creder deggio...Dalla sua pace (Don Ottavio)
Mozart (W.A): Don Giovanni, K. 527
Act 1, Scene XIV: Recitative (C Major) and Aria (G Major)
Ed. Schirmer (1900) PD (it-engl.)
 
 
Constanze! Constanze!...O wie ängstlich, o wie feurig (Belmonte)
Mozart (W.A): Die entführung aus dem serail, K.384
Act 1,Scene V: Recitative and Aria (A Major
Ed.Peters/G.F. Kogel (1881)PD (germ.*)
 
 
Dalla sua pace (Don Ottavio)
Mozart (W.A): Don Giovanni, K. 527
Act 1, Scene XIV: Aria (G Major)
Ed. Schirmer (1900) PD (it-engl.)
 
 
Das klinget so herrlich, das klinget so schön! (Monostatos & Choir)
Mozart (W.A): The magic flute, K.620
Act 1, Scene XVII: Aria with Choir (G Major)
Ed. U.E Wien, 245, PD (Germ;*)
 
 
Del piu sublime soglio (Tito)
Mozart (W.A): La clemenza di Tito, K. 621
Act 1,Scene IV: Aria (G Major)
Ed.Peters (1870) PD (it.*) 
 
 
Dies Bildnis is bezaubernd schön (Tamino)
Mozart (W.A): The magic flute, K.620
Act 1, Scene IV: Aria (E Flat Major)
Ed. U.E Wien, 245, PD (Germ.*):
 
 
Frisch zum kämpfe! frisch zum Streite! (Pedrillo)
Mozart (W.A): Die entführung aus dem serail, K.384
Act 2,Scene VII: Aria (D Major)
Ed.Peters/G.F. Kogel (1881)PD (germ.*)
 
 
Fuor del mar hò un marin seno (Idomeneo):
Mozart (W.A): Idomeneo, K. 366
Act 2: Scene III, Aria (D Major) with recitative
Ed. Braunschweig-Litollf PD (it.*)
 
 
Hier soll ich Dich denn sehen, Constanze (Belmonte):
Mozart (W.A): Die entführung aus dem serail, K.384
Act 1, Scene I: Aria (C Major)
Ed.Peters/G.F. Kogel (1881)PD: (germ.*)
 
 
Ich baue ganz auf deine Starke (Belmonte):
Mozart (W.A): Die entführung aus dem serail, K.384
Act 3, Scene III: Aria (E Flat Major)
Ed.Peters/G.F. Kogel (1881)PD (germ.*)
 
 
Il mio tesoro intanto (Don Ottavio)
Mozart (W.A): Don Giovanni, K. 527
Act 2, Scene X: Aria (B Flat Major)
Ed. Schirmer (1900) PD (it-engl.)
 
 
Il Padre adorato (Idamante)
Mozart (W.A): Idomeneo, K. 366
Act 1, Scene X: Aria (F Major) (recitative included)
Ed. Braunschweig-Litollf PD (it .*)
 
 
Im mohrenland gefangen war (Pedrillo):
Mozart (W.A): Die entführung aus dem serail, K.384
Act 3, Scene IV: Aria (Romanze: D Major)
Ed.Peters/G.F. Kogel (1881)PD (germ.*)
 
 
In qual fiero contrasto...Tradito, schernito (Ferrando):
Mozart (W.A): Cosi fan tutte, K.588
 
Act 2, Sc. IX,: Recitative (E Flat Major) and Aria (Cavatina: C Major)
Ed. U.E Wien /H. Levi (1904) PD (it.*)
 
 
In quegli anni in cui val poco (Basilio):
Mozart (W.A): Le nozze di Figaro K.492
Act 4, Scene VII: Aria (B Flat Major)
Ed. Ricordi (1865) PD (it.)    
Ed. U.E Wien (Brüll) (1901) PD (it.*)
 
 
Non ho colpa, e mi condanni? (Idamante)
Mozart (W.A): Idomeneo, K. 366
Act.1, Scene II: Aria (B Flat Major)
Ed. Braunschweig-Litollf PD (it.*)
 
 
O wie ängstlich, o wie feurig (Belmonte):
Mozart (W.A): Die entführung aus dem serail, K.384 
Act 1,Scene V: Aria (A Major)
Ed.Peters/G.F. Kogel (1881)PD (germ.*)
 
 
Popoli! A voi l'ultima legge...Torna la pace (Idomeneo)
Mozart (W.A): Idomeneo, K. 366
Act 3, Last Scene: Recitative (E Flat Major) and Aria (B flat Major)
Ed. Braunschweig-Litollf PD (it .*)
 
 
Qual mi conturbai sensi...Fuor del mar hò un marin seno (Idomeneo)
Mozart (W.A): Idomeneo, K. 366
Act 2, Scene III: Recitative and Aria (D Major)
Ed. Braunschweig-Litollf PD (it .*)
 
 
Se all' impero, amici Dei!-Se la fede regni miei (Tito)
Mozart (W.A): La clemenza di Tito, K. 621
Act 2, Scene XI: Aria (B Flat Major)
Ed.Peters (1870) PD (it.*) 
 
 
Se co là nè fatti è scritto (Arbace)
Mozart (W.A): Idomeneo, K. 366
Act 3, Scene V: Aria (A Major) with recitative
Ed. Braunschweig-Litollf PD (it.*)
 
 
Se il tuo duol, se il mio desio (Arbace)
Mozart (W.A): Idomeneo, K. 366
Act. 2, Scene I: Aria (C Major)
 Ed. Braunschweig-Litollf PD (it .*)
 
 
Sventurata Sidon!...Se co là nè fatti è scritto (Arbace):
Mozart (W.A): Idomeneo, K. 366
Act 3,Scene V: Recitative (E Major) and Aria (A Major)
Ed. Braunschweig-Litollf PD (it.*)
 
 
Torna la pace al core (Idomeneo)
Mozart (W.A): Idomeneo, K. 366
Act 3, Last Scene: Aria (B flat Major) with recitative
Ed. Braunschweig-Litollf PD (it.*)
 
 
Tradito, schernito (Ferrando):
Mozart (W.A): Cosi fan tutte, K.588 
Act 2, Sc. IX: Aria (Cavatina: C Major)
Ed. U.E Wien /H. Levi (1904) PD (it.*)
 
 
Un aura amorosa (Ferrando):
Mozart (W.A): Cosi fan tutte, K.588
Act 1, Scene XII: Aria (key ?)
Ed. U.E Wien /H. Levi (1904) PD (it.*)
 
 
Vedrommi intorno l'ombra dolente (Idomeneo)
Mozart (W.A): Idomeneo, K. 366
Act 1, Scene IX: Aria (C Major)
Ed. Braunschweig-Litollf PD (it .*)
 
 
Wenn der Freude tränen fliessen-ha!dieses selige wieder finden!(Belmonte)
Mozart (W.A): Die entführung aus dem serail, K.384
Act 2, Scene IX: Aria (B Flat Major)
Ed.Peters/G.F. Kogel (1881)PD (it.*)
 
 
Wie stark ist nicht dein Zauberton (Tamino):
Mozart (W.A): Die zauberflöte/The magic flute, K.620
Act 1, Scene XV: Aria (C Major
Ed. U.E Wien (1901)(germ.*):
 
 
Zu Hilfe! Zu Hilfe! (Tamino)
Mozart (W.A): Die zauberflöte/The magic flute, K.620
Act 1, Introduction: Aria (C Minor)
Ed. U.E Wien (1901)(germ.*):
 
 

 

notes

it *:      translation in german has been erased, only the original language (italian) has been kept, together with the original arrangement of the notes 

 

germ.* :translation in italian has been erased, only the original language (german) has been kept, together with the original arrangement of the notes 

 

This editing has been adopted by www.classicalsingersheetmusic.com for the sake of clarity, thus allowing the singer to write his own translation (preferably word to word) under the notes.

Please note that we have not added anything to the Original Edition, and thus our work is not subject to copyright.